Knockout medium 46 font transtype4/30/2023 ![]() Creator of The Amazing Grace (2012), Twofold Uncomplete Design (2012), Alighty Nesia (2012, an open geometric sans family), Gratis (2012, free headline sans), C7Nazara (2012) and Situjuh Hand (2012, a curly typeface). 7NTypes includes several designers, including Keithzo, but Situjuh Nazara is the founder and main contributor. Typefaces from 2021: Kolm Keltek (classical ornaments), Microdot (a dot matrix font). Typefaces from 2020: Lo Fi Copy (grungy and pixelish). Typefaces from 2018: Strapwork (four ornamental typefaces with friezes, borders and motifs modeled after Balthasar Bos (1554) and 16th century mannerism). Typefaces from 2016: Geometric Harmony (geometric ornaments), Dubster (which he describes as a technocratic modular font). Typefaces from 2015: Finetitle (ornaments for headers), Gothic Herbarium (a floriated ornamental font based on the Gothic Revival ornaments developed by Augustus Pugin (1812-1852)), Old Depot (rough stencil), Francesca (decorative caps). In 2014, Dmitry Rastvortsev, Lukyan Turetsky, and Henadij Zarechnjuk cooperated on the design of the free Latin / Cyrillic handwriting typeface Kobzar KS, which is based on the handwriting of Taras Shnvchenko, a famous Ukrainian poet, artist and philosopher. In 2014, he created Angusto (an elegant narrow shaded display typeface family), Vindemiam (ornamental borders), Squamish (ornamental borders), UA Map (maps of Ukraine dingbats) and Bohemian Border. Typefaces from 2013: Bandelwerk (borders), Digital Stitch, Modern Wave (ornaments based on Alphonse Mucha), Hopferian (Roman caps after engravings by Daniel Hopfer (1470-1536)-typeface completed with help of Mariya Sokil), Simple Ribbon (art nouveau dingbats). This was followed by Ornamental Deco 2D (2010, art deco ornaments), Rally Symbols 2D (2010), Mascaron2D (2010, by Iryna Korchuk), Depot Trapharet 2d (2010, a stencil based on the tram lettering in Lviv), Ascetic 2D (2005-2010), Hutsulyandiya (2010, extraordinary ornaments by Iryna Korchuk), Simeon (2010, calligraphic), Cranked Pipe 2D (2011), Tripyllia 2D (2011, ornaments of the neolithic Trypillya culture), and Ukrainian Barokko (2010, a calligraphic typeface by Genadij Zarechnjuk), Historism Border (2011, border ornaments), Moreske 2D (2012, ornaments), Geomanticus (2012, modular squarish sans). The first typeface at 2D typo was the modular pixelish Pressure Drop 2D (2010). 1979) of the octagonal stencil typeface Depot Trapharet (2006, brutalist), and of the free car rallye dingbat typeface Rallye Symbols (2008). A help file would be a great addition though.TYPE DESIGN INFORMATION PAGE last updated on Overall however, TransType SE does what it says with the help of a clean look and minimum configuration options. On Windows 7 for example, the app seems to slow down the system a little bit every once in a while, while also freezing at various intervals. TransType SE completes the conversion process in no time, but that doesn't necessarily mean that it's light on hardware resources. It's highly recommended to have a look in the settings menu as well, as you can configure font file naming, formats, general conversion options, but also set up each supported format. TransType SE works with Mac Binary and BinHex files, which use the BIN, MACBIN and HQX extensions, TrueType fonts with TTF and TTC extensions, Type1 fonts with PFB and FontLab fonts delivered in VFB format. Of course, a preview screen gives you a hint into how your fonts could look like, while a separate legend panel is placed at the bottom of the window. There are dedicated panels for source and destination file or resources, both of them showing the family and the font name. ![]() The interface is extremely clean and intuitive and that's probably the reason why the developer hasn't included a help file in the package, as beginners should have no problem in figuring out how to use the app. TransType SE is a simple application designed to convert fonts from one format to another, providing support for popular formats such as TrueType and FontLab.
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